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Richard Yates' Classical Guitar Transcriptions

 

Lute Music in Tablature

 

Occasionally my interests turn to Renaissance and Baroque lute music and I will add to the files that are listed here. You will find both Acrobat and StringWalker files. Please let me know if you have any problems with the files or notice errors that I have made. richard@yatesguitar.com

 


 

Giovanni Girolamo Kapsberger (c. 1580-1651) was the pre-eminent player of the chitaronne in Rome at the turn of the 17th century. The instrument that he wrote for had 19 courses and a tuning pattern that makes the music much less accessible for guitarists than that of the Renaissance lute. The Norwegian player Rolf Lislevand, who has recorded and performed Kapsberger’s music, has described him as “…easily recognizable in that his works are lacking in the qualities that generally characterize a good composer."  Much of Kapsberger’s music can be difficult to grasp. It sometimes tends to wander without apparent structure or destination. It is first and foremost a performer’s music – a framework to fill out with all of the vitality and expression player can bring to bear. Only a few years ago the third volume of Kapsberger’s chitaronne music, previously believed to have been lost, was acquired by the Gilmore Library at Yale University. It is a revelation! Having read through all of his lute and chitaronne music I believe that the Toccatas in this volume are of a far higher quality than those that came before or after. There is organization, more coherence of ideas in each piece, and clearer and more fully worked out counterpoint.  I have transcribed for six string Renaissance lute seven of the Toccatas. Note that this makes a rather large file to download – over 500KB - and may take a while to download. Please try another, smaller file first, if you have not already done so, to ensure that you will be able to display and print the music with Acrobat Reader. I am eager to hear any reactions or suggestions about this music. My email address is: richard@yatesguitar.com

Seven Toccatas by G.G. Kapsberger, Libro Terzo d’intavolatura di Chitaronne, 1626

'Fair Phyllis I Saw' was originally a four voice part-song by John Farmer (c.1560-?) the organist at Christ Church Cathedral in Dublin. I have transcribed it as a lute duet.

Acrobat file - French tab

Zipped StringWalker file

MIDI sound file.



Thomas Morley (1557-1602) first made his mark with the publication in 1593 of his 'Canzonets or Little Short Songs to Three Voyces'. These polyphonic songs express a wide range of moods using close imitation. Surprisingly for such complex music, they can be played on the lute with very little loss of clarity in the texture. Only a very small number of notes have been omitted and I have been able to intabulate them so that nearly all voice leading is preserved. Although a few pieces offer a greater technical challenge, the majority seem quite idiomatic on the lute. If you favor Francesco da Milano and Simone Molinaro you will enjoy these canzonets immensely. Rather than post each one separately, I have made intabulations of all twenty, converted them to Acrobat Reader files, and 'zipped' them all together in one file. Please note that this makes a rather large file to download - nearly 500KB - and may take a while to download. Please try another, smaller file first, if you have not already done so, to ensure that you will be able to unzip the file and then display and print the music with Acrobat Reader. I am eager to hear any reactions or suggestions about this music. My email address is: richard@yatesguitar.com

Twenty Canzonets by Thomas Morley


Zipped Acrobat files - French Tab

Zipped StringWalker file



Four Polyphonic Songs by Gilles Binchois (1400-1460)

Acrobat file - Modern tab
Acrobat file - French tab

Zipped StringWalker file (Right-click to download)

Zipped Cripps' Tab program file (Right-click to download)



Josquin des Pres (c.1440-1521), in addition to Mille Regretz ('A thousand regrets') also wrote Cent Mille Regretz ('A hundred thousand regrets'?) and this four voice piece, Plus Nulz Regretz ('No more regrets'?) here transcribed for lute solo. If anyone wants to elaborate on this one as Narvaez did with Mille Regretz, I would be happy to intabulate and post it here.

Acrobat file - Modern tab
Acrobat file - French tab

Zipped StringWalker file (Right-click to download)

Zipped Cripps' Tab program file (Right-click to download)



Allegez moy by Josquin des Pres (c.1440-1521) was originally for six voices, here transcribed for lute duet. This is a driving, rhythmic piece that is great fun to play. Think of it as heavy metal of the 15th Century! I have included MIDI files of each part at various tempos for practicing without a partner.

Acrobat file - Modern tab
Acrobat file - French tab

PostScript file- Modern tab
PostScript file - French tab

Zipped StringWalker file (Right-click to download)

Zipped Cripps' Tab program file (Right-click to download)

MIDI full score MIDI sound file - tempo=125

MIDI Lute One MIDI sound file - tempo=85
MIDI Lute One MIDI sound file - tempo=105
MIDI Lute One MIDI sound file - tempo=125

MIDI Lute Two MIDI sound file - tempo=85
MIDI Lute Two MIDI sound file - tempo=105
MIDI Lute Two MIDI sound file - tempo=125



Vincenzo Galilei (c.1520-1591) was a lutenist but also composed other music. Here is a set of 12 four-part ricercare transcribed for lute duet. These are one page each and easy to play.

Ricercare 1 - Acrobat file - French tab
Ricercare 2 - Acrobat file - French tab
Ricercare 3 - Acrobat file - French tab
Ricercare 4 - Acrobat file - French tab
Ricercare 5 - Acrobat file - French tab
Ricercare 6 - Acrobat file - French tab
Ricercare 7 - Acrobat file - French tab
Ricercare 8 - Acrobat file - French tab
Ricercare 9 - Acrobat file - French tab
Ricercare 10 - Acrobat file - French tab
Ricercare 11 - Acrobat file - French tab
Ricercare 12 - Acrobat file - French tab



A visitor asked whether Machaut's 'Rose, liz, printemps, verdure' could be transcribed as a solo. Considering that the original is in five voices, the surprising answer is 'yes'. Keep in mind that this entailed some modifications. Although there were very few notes that had to be dropped, the closely spaced and frequently crossing voices, a prominent feature of this style of music, are not as distinct in the solo version. However, you will hear the lush and startling harmonies and the sweet melody. The success of this transcription led me to look for more and I found another interesting solo, Rondeau 7, also originally for five voices.

Rose, liz, printemps, verdure. . .

Acrobat file - Modern tab

Acrobat file - French tab

Zipped StringWalker file (Right-click to download)

MIDI sound file.

Rondeau 7 ("Se vous n'estes pour mon guerredon")

Acrobat file - Modern tab

Acrobat file - French tab

Zipped StringWalker file (Right-click to download)

MIDI sound file.


The Allegro from the Sonata in A Minor for Cello and Basso Continuo by Antonio Vivaldi was discovered on a search through Vivaldi's music at the request of a GFA Soundboard reader. On the lute it could easily be mistaken for something by S.L. Weiss. Alain Veylit took the MIDI file, tweaked it with his tablature program StringWalker (which I use for all of my tab files), and added ornaments to produced the score that you can download here.

Acrobat file - Modern tab

Acrobat file - French tab

Zipped StringWalker file (Right-click to download)

MIDI sound file.



Aria detto Balletto is a challenging but glorious set of solo variations by Girolamo Frescobaldi (1583-1643). The original was written for the keyboard but sits well on the lute (It is set for seven courses but can be played with six if the last course is tuned down a whole step to F. This is similar to the guitar version that is available in standard notation in the Frescobaldi section of the catalog.) Please listen to the MIDI file to hear the suggested tempo changes with each variation.

Acrobat file - Modern tab

Acrobat file - French tab

Zipped StringWalker file (Right-click to download)

MIDI sound file



Rose, liz, printemps, verdure... by Guillaume de Machaut (c.1300-1377) transcribed for lute duet. If you have not heard this gorgeous piece before you will find astonishing. It could have been written only in the 14th or the 20th Century. Try it a few times before you make a judgement.

Lute One Acrobat file - Modern tab
Lute Two Acrobat file - Modern tab

Lute One Acrobat file - French tab
Lute Two Acrobat file - French tab

Zipped StringWalker files (Right-click to download)



Ave Verum Corpus by William Byrd. Originally for four voices this is transcribed as an easy lute duet.

Lute One Acrobat file - Modern tab
Lute Two Acrobat file - Modern tab

Lute One Acrobat file - French tab
Lute Two Acrobat file - French tab

Zipped StringWalker files (Right-click to download)

MIDI sound file



Mille Regrets de Vous Abandonner. This solo is an intabulation of the four part version by Josquin de Pres. It is very interesting to compare with the Narvaez version.

Acrobat file - Modern tab

Acrobat file - French tab

Zipped StringWalker file (Right-click to download)



Regna Terrae by Simone Molinaro (c.1565-1615), originally for five voices.

Lute One Acrobat file - Modern tab
Lute Two Acrobat file - Modern tab

Lute One Acrobat file - French tab
Lute Two Acrobat file - French tab

Zipped StringWalker files (Right-click to download)



O Magnum Mysterium by Tomas Luis de Victoria (c.1548-1611), originally for four voices.

Lute One Acrobat file - Modern tab
Lute Two Acrobat file - Modern tab

Lute One Acrobat file - French tab
Lute Two Acrobat file - French tab

Zipped StringWalker files (Right-click to download)

 

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